如果
沒有了水、墨的五色会否存現？
沒有了墨、水的空白又是如何？

如果
沒有了光
那、

一切仍在混沌中。

If

There is no water, will Ink’s five colors still exist?
If there is no Ink, where will the voided space of water be ?

If

There is no Light
Then all is still in Chaos

A 67-meter long scroll painting with two ends hanging down from opposite walls is installed facing each other. One side of the scroll is almost black with calligraphic ink writing while the other side is left blank as the original colour of the paper. I repeatedly add water to dark ink for six times to achieve the overall gradation of ink colours on paper, then write 6 times the first two chapters of Ecclesiastes 傳道書

Two black lacquer bowls fill with water with brushes on the side place where the hanging scroll touch the ground. Two strong spot light hang at an angle from the ceiling focusing onto the water. The painting is fold in the middle randomly to create the feeling of the undulating mountain ranges from nature. Audiences are encouraged to write on the water and had an intimate dialogue with the scroll through the flickering light appeared on the scroll.
This scroll should hang lengthwise in a U-shape and form a folded hill-scape at the center. The room should have a quiet ambient atmosphere with sound of running water.

Visitors can quietly write on water (either with their finger or brush) give a moment of thoughts and meditate on the movement of the water, then he or she can look up into the hanging scroll in front of them for resonance. They can either do it facing the untouched empty scroll or the other end stained and blackened by continuous writing.

The blacken end will not give out any flickering light reflection and totally absorb all, while the ‘pure ’untouched end will echo all the brush or hand writing movement in dancing light.

水墨長巷共67米長、一端寫滿字及染上墨色、長卷漸變淡成空白，作此畫時先由一盆純黑墨開始、再把水逐漸加進墨中成淡墨至完全沒色為止、重覆渲染皮紙六次，再重覆，之後從卷首再書寫了《傳道書》首兩章六次。（墨之五色）

水墨長卷裝置尺寸可根據不同空間而設計、可在房間两端面對面掛、成Ｕ字型、兩個黑漆盆注滿水分開兩面對放在地上長卷上、整個房間需安靜.

觀者可以安靜地在水面上書寫, 用指頭或毛筆 靜觀水面的變化、之後應嘗試在面對着的長卷上找與之共嗚之點。（韻動）

面對空白長卷者可觀賞到白光之舞動‧而面對渲染墨黑長卷那一面的觀者只見光不斷被黑吸進歸於無。